Home Photography Concert Photography Metallica – Eden Park Auckland, 19 November 2025: Review & Photo Gallery

Metallica – Eden Park Auckland, 19 November 2025: Review & Photo Gallery

Let’s face it – Metallica are mega. The Metal gurus, formed in LA but San-Fran based for most of their existence, have owned the top of the Metal ladder for eons, transcending boundaries and walking the line between Hard Rock and Metal for the better part of their five-decade career.

After not making it here in 2019, fans were keen as mustard to catch them this time around. Eden Park was the venue this time, and boy can they pack ’em in, maximizing the playing field to host around 55,000 fans.

And with a weather warning out Tuesday evening, hopes were high that the skies would clear for one of the premier outdoor concerts of 2025’s calendar.

Well, the rain would stay away for the most part, although the elements always give added value to the mayhem. The occasion was made even bolder with the inclusion of two great support acts, for this which was incidentally the final show of Metallica’s world tour.

Suicidal Tendencies opened and showed no signs of fatigue after headlining their own show at The Powerstation the night before – peeling off a rapid set of their tunes in blazing fashion.

ST are Metallica bassist Robert Trujillo’s old sparring partners. In fact, his son Tye is in the band representing the Trujillo whanau nowadays.

Founder and only original member Mike Muir led the troops forcefully and with vitality. The crossover trash pioneers, who also include drummer Jay Weinberg (son of Bruce Springsteen skinsman Max), were perfectly enlisted to warmup the ever-building audience.

Evanescence were up next and tore straight into an hour long set of their Power-Rock tunes. The question to be asked beforehand was – how are Amy Lee’s pipes goin’ these days? Clear and as strong as ever, I’m happy to report.

Along with her boisterous bandmates, she belted out a bracket which included the hits; Going Under, Call Me When You’re Sober, My Immortal, and Bring Me to Life.

Lee was inspired being on this tour and expressed overwhelming gratitude for hooking a ride with their iconic top-billing buddies. A rousing set played slickly and prepping us all for the anticipated main act.

Eden Park was housing more black shirts than an All Black match – for once.

House music kicked off with A Long Way to The Top (AC/DC), followed by Metallica’s signature walk on tune – Ennio Morricone’s The Ecstasy of Gold.

A mile-wide stage greeted them for opening rager Creeping Death.

Another off 1984’s Ride the LightningFor Whom the Bell Tolls followed in quickfire fashion, it’s apocalyptic tones and bell sound-effects signalling Metallica had well and truly arrived.

Fuel incorporated pyrotechnics, putting warmth and smoke in our faces, themed to flaming red.

The set moved along and got big pretty quickly – cue The Unforgiven.

Explaining Metallica’s sound, I’d say – raw, emotive, warts and all full-noise with plenty of aggression, energy and interaction. A garage band at heart, with a love of riffs and songs that have probably explained their appeal and popularity.

The faces of Metallica are by now quite familiar. Frontman James Hetfield was in fine form, and in friendly mode as he talked about having the greatest job in the world, and giving the utmost respect to their fans, calling them all-inclusive as part of the Metallica family.

A brief interlude saw muscling bassist Rob Trujillo and gun guitarist Kirk Hammett pair up as a duo to perform a couple of hastily learnt Kiwi classics – Split Enz’s I Got You and Six60’s Don’t Forget Your Roots.

Moth Into Flame with its addiction themes and enticing neon signs framing the stage came off like Vegas on ‘roids. There were nods to Amy Winehouse, and although unspoken, something of Hetfield’s journey in there too.

Metallica gives you heavy baby!  cued the crunching Sad But True, with Trujillo’s super-chunky bass, set at industrial level.

The feisty little Dane Lars Ulrich held up his end of the bargain with brash unashamed and unsubtle drumming. His style is forever merging into a more organic, emotional type of playing that strengthens the Metallica signature.

Speaking of signatures – Nothing Else Matters followed, galvanizing the quartet to rise even further.

Seek & Destroy, off debut Kill ‘Em All, ripped- recalling the influence of Motorhead. It signalled a rollout of giant black and yellow beach balls, keeping in step with their current colour trend, and Lars’ Tama drumkit.

The interplay and fun they were having onstage was evident, although the themes were often dark. Master Of Puppets with its brilliant album artwork rendered onto the big screens, spoke of manipulated casualties and blood spilt on the battlefield.

The show-stopper numbers rolled out one after another, which meant we were nearing the end. One triggered red lasers reflected onto the twin stadium roofs, as military troops marched in silhouette form on the screens.

Metallica’s songs are often lengthy, and Ulrich played with time often as the band moved and weaved along with him.

Then sadly the final number, Enter Sandman (off 1991’s Black), had all four members running on all cylinders.

Hammett wailed throughout, his Satriani inspired tutelage leading him on to becoming one of Metal’s most dependable guitarists. Hetfield played rhythm guitar, so it was always there and solid. Trujillo attacked his strings and sounded as phat as ever, and Ulrich provided the heart in the centre.

Last gig of the world tour, and Hammett was pummelled with confetti streamers by the road crew for his birthday. They said they wouldn’t do it, but they did. He was in no position to play another song – covered head to toe.

The Metallica juggernaut is well and healthy, and most on track. What’s the present perception? Some kind of monster still roams among us!

Mike Beck

Photography by Leonie Moreland

Metallica

Evanescence

Suicidal Tendencies

Setlists

Metallica
Creeping Death
For Whom the Bell Tolls
Fuel
Cyanide
The Unforgiven
Wherever I My Roam
I Got You (Split Enz) Don’t Forget Your Roots (Six60)
The Day That Never Comes
Moth into Flame
Sad but True
Nothing Else Matters
Seek & Destroy
Lux Æterna
Master of Puppets
One
Enter Sandman

Evanescence
Afterlife
Made of Stone
Going Under
Take Cover
The Game Is Over
Lithium
Wasted on You
Better Without You
Call Me When You’re Sober
Imaginary
Use My Voice
End Of the Dream
My Immortal
Bring Me to Life

 

Suicidal Tendencies
You Can’t Bring Me Down
Join the Army
Send Me Your Money
Subliminal
Adrenaline Addict
Cyco Vision
Pledge Your Allegiance

Leave a ReplyCancel reply

Discover more from Red Raven News

Subscribe now to keep reading and get access to the full archive.

Continue reading

Exit mobile version